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MC Chorale, Glee Clubs present ‘Carmina Burana’

Release Date: April 30, 2007

MONMOUTH, Ill. Three Monmouth College choral groups the Monmouth Chorale and the Men’s and Women’s Glee Clubs will take the stage for special concerts on May 5 at 7:30 p.m. and May 6 at 4 p.m. in the Kasch Performance Hall of the Dahl Chapel and Auditorium.

Free and open to the public, the concerts will feature excerpts from one of the most well-known classical pieces of the 20th century, Carl Orff’s "Carmina Burana."

Orff wrote "Carmina Burana" (or "Songs from Bavaria") in 1935-36, using ancient Latin and German texts from a codex that had been found in a Bavarian monastery in 1803. The codex contained about 200 poems, written in Latin and old forms of German and French, and were decidedly secular in nature, providing an earthy, lusty glimpse of life in the Middle Ages.

Monmouth’s choral groups will present some of the more popular movements of the cantata, including the opening and closing movements, "O Fortuna," which, according to Sarah Graham, conductor of Chorale and the Women’s Glee Club, "examines the various amorous aspects of spring." Two other movements on the program include "In Taberna" and "Cour d’Amours."

Instrumental accompaniment will be provided by percussion studio students and two pianists, Ian Moschenross, assistant professor of music, and Ashley Mack, lecturer in music. Also featured will be two soprano soloists, senior Jamie Cucci of St. Charles and sophomore Ellen Duffin of Joliet.

Graham said "Carmina Burana" has gained familiarity with the general public, quite often for its use as scores in movies, television shows and even commercials.

Marin Alsop of National Public Radio said the subject matter covered in Carmina "stays pretty basic: love, lust, the pleasures of drinking and the heightened moods evoked by springtime. These primitive and persistently relevant themes are nicely camouflaged by the Latin and old German texts, so the listener can actually feign ignorance while listening to virtually X-rated lyrics."

Alsop added, "That may not have been what Orff envisioned when he wrote Carmina Burana in 1936, but he did have much more than a straightforward musical experience in mind. He subtitled his exuberant hour-long oratorio ‘Secular songs for singers and choruses accompanied by instruments and magical images’ hardly typical concert fare."

Released by the Office of College Communications
Barry McNamara, Associate Director of College Communications
Phone: 309-457-2117
Fax: 309-457-2330

 
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